Bird Circus (formerly Bus Design Studio), is a creative studio formed by designers, illustrators and birdwatchers Amanda and Eden Cartwright. I’ve know Eden for a long time, having shared primary schools, high schools and University – we even lived in the same suburb until my recent move, you could say I’ve been an admirer of his work for a long time! Eden and Amanda, needless to say, have a plethora of beautiful design and illustration pieces on the Bird Circus website – along with some great photos of their studio space, very jealous. I also have to say, Bird Circus is a great studio name as well, Eden and Amanda sent me some beautiful printed promotional pieces to introduce the new name, (see above), the site itself is very well designed – I love the fun little animations they have going on. Check out their instagram account as well, worth it for the pic of old SA ice cream tins!
Over the years I’ve covered a lot of South Australian design firms and designers, I’ve always thought it is important to promote and recognise the creativity of local talent, especially considering the level of quality, for a small population we certainly punch above our weight. That level of creativity is matched by the various companies that contribute to the conception of the final product. I’m talking about the printers, the photographers, the digital producers and the sign makers who help turn designs into reality, so I’d like to start promoting covering some of SA’s finest manufacturers and producers as well, companies and individuals that have been behind the designs so to speak.
First cab of the rank is someone many local creatives will be familiar with for his fine craftsmanship over the years, David Sherwell, proprietor of signage company The Weather Maker (great company name as well!)
David has over 15 years experience providing commercial and architectural signage, wide format print and environmental graphic implementations. After successfully founding and operating Jack Rabbit Imaging for 10 years he continues his passion for sign and print through The Weather Maker. The Weather Maker provides sign, print & environmental graphic solutions for architectural, commercial and creative agencies.
The companies tagline ‘Changing the way we see the world’, is reflective of the companies consultative approach and commitment to supporting local architectural, commercial and creative industries. The Weather Maker uses this consultative approach to specify, proof, construct and install innovative sign solutions. Using the latest technology coupled with in-house production methods enables The Weather Maker to deliver timely sign projects of a superior quality.
David remains passionate about managing and constructing commercial and architectural signage projects. He continually gets a kick from seeing sign and display projects across Adelaide that make a tangible market on this city. He also happens to be a really nice guy with a real commitment to quality, so you can be pretty confident that your designs are in safe hands. Check out some of his completed projects below and at theweathermaker.com.au
I was saddened to hear of the passing local creative luminary Barrie Tucker last Friday. Barrie was truly a trailblazer for anyone coming up through the creative industries in South Australia – I remember in my University years looking through a brochure of Tucker Design and being completely in awe of the work they produced. It really cemented in my mind that this is what I wanted to do with my life. While I never got to meet him in person, his work through the years was certainly a great inspiration, I’m sure I’m not alone in feeling that way. I spent the weekend looking back upon some of his great work, I urge you to do the same if you already haven’t – and finally, my condolences to his family, friends and all those who were lucky enough to have worked with him.
I just wanted to give a heads up for the latest issue of Fête Magazine that has just come out in the last few days. Fête is consistently one of the best design/lifestyle magazines released not just in Australia, but in the world, and the design and photography is beautifully considered with each issue. No. 25 is a particular standout, even amongst it’s usual level of quality with some great articles on minimalism, simplifying your lifestyle, and how to achieve that important work/life balance. There’s also lots of cool stuff to look it if that’s your thing as well! Fete have also been advertising for a mid-weight freelance designer, I don’t know if they’ve found that perfect candidate yet, but it would be an awesome opportunity to be part of such a great product. If you think you have the design chops (and you’re not too late to apply of course), drop them your details. Also, go and pick up a copy of the magazine of course, available around Australia where all such good magazines are sold – or you can check out all their list of stockists here.
I am crazy obsessed with the African wild cat, the caracal. maybe it’s because just like them, I am an agile and fierce predator – of design links that is! I slap down a few of my own below.
Why are some people just more creative than others? I was kicked in the head by a pony when I was young, but I’m sure that can’t be the case for all of us.
Every design project I have worked on is tinged with a little regret over what I may have done differently, so it’s nice to know that in some respects this is a universal trait!
Wrestling from the 1970s seems like a really weird platform for modern day design inspiration, but you have to admit these old posters are a hipsters dream.
Does true originality stem from just a hint of madness? Or maybe it’s even more than just a hint.
Living the dream, and travelling the world. Is the life of a digital nomad just too good to be true, is it wrong of me to hate them regardless?
So it’s okay to copy now – have at it then!
As the year is ramping up (it’s March this week) it’s handy to have some tips on how to handle having too much to do.
Brisbane has always had a pretty awesome music scene, and along with it an interesting history of gig poster design.
It’s too late for me, but maybe this can be of benefit to any of you younger folk.
Whoops, too late for me again.
Is brutalism the next big thing in graphic design – or have we missed that boat already?
One of my singular pleasures of the year is when I receive my Type Directors Club annual in the mail. I’ve been a member since 2010 – one of the benefits of memberships of course is that you receive the beautiful Type Directors Annual each year, which, in my humble opinion, is the best curated collection of design examples from around the world year after year. Membership in the Type Directors club offers a lot more than just the annual though. It’s a way to connect and interact with the world’s very best designers, creative directors and typographers – and of course, if you work is up to standard, a way to present your very best work in front a very distinguished audience (Adelaide firms Voice and Studio Band were both awarded in the latest Type Directors awards for example (well done guys!) I thought I would share some of my favourite pieces from the latest annual, I’ll think you’ll agree it’s some cracking work.
How to Ruin Everything: Essays By George Watsky
Design Ben Denzer Art Direction Jason Booher
I thought I would start off with what is probably my very favourite pieces in the whole annual. I wish I could spend my life designing book covers that look as care-free as this.
Just when you admire how beautiful the cover is, you then turn it over to see that the back cover may be even better. I remember being so knocked out by this when I saw it on the bookstore shelf that I immediately had to have it, just so I could admire that cover at leisure. Luckily for me that it is also an awesome collection of essays written by the very clever and very funny George Watsky – perfectly encapsulated in that cover.
Make sure you check out Ben’s site for some more of his awesome work.
Jazz St. Louis Gala Invitation
Design Direction Sarah Newitt
Design Kiku Obata & Company
I really like how this invitation uses the vernacular of mid-century jazz album typography but modernises it with a contemporary typestyle update and the use of a modern neon colour palette. It’s sophistication is totally appropriate for its intended audience. I would want to go to this if I received it in the mail.
The New York Times Magazine produces the goods week after week, displaying the very best publication design you can imagine. Gail Bichler and Matt Willey are two of my design heroes with what they are able to achieve with the NYT Magazine and a constant inspiration upon my own work. This issue turned it up a notch by turning the whole magazine 90 degrees as a play upon the issues subject matter: Life above 800 feet. Every detail is considered, down to a custom typeface to fit the heights of the new dimension. Keep in mind these guys are doing this sort of work on a weekly basis, check out the Winter Olympics issue they produced recently as another beautiful example of publication design going the extra mile.
Just Another Unicorn Hoodies
Creative Direction and Calligraphy Mariana Castellanos
Most streetwear you see around the place these days is about as cool as something your grandmother would give you for Christmas – and most graffiti inspired designs are about as wearable these days has a hyper-colour t-shirt. These are something else though, tangible subtle lettering on muted colour backgrounds, they are a typography buffs dream attire. While ultimately they are ‘too rad’ for someone like me to wear, I could imagine someone cool like Chris Cooper or Nic Eldridge could pull it off.
I’d seen this online a few months back and admired it, so I was as happy as could be to see that it was featured in the latest typography annual. It does this old heart good to see such considered typography used so well on an LP cover! Unfortunately by the looks of it, with a run of only 300, I’m imagining it’s not the easier of records to actually get a physical copy of.
Design Fons Hickmann, Lizzy Onck
Studio Fons Hickmann m23
Ok, squint your eyes a little bit. See it? Pretty clever play on the traditional Op Art technique. It’s the sort of music that is ripe for such interesting interpretation, but seldom is, which lets this particular design sit well apart from the pack.
Bloomberg Businessweek Magazine
Design Simon Abranowicz
Creative Direction Robert Vagas
I’m not particularly concerned by the machinations of the business world on a weekly basis, but luckily I am enamoured by great design and typography, which must be the reason I’m quite often picking up copies of Bloomberg Businessweek. This cover is a real standout for a magazine that prides itself on producing stand-out covers. Bold, weird and king of icky at the same time – you wouldn’t think the subject matter would particularly lend it self to such an original presentation. But here we are, with Bloomberg Businessweek securing it’s regular berth in an edition of the Typography Annual. And the design inside is just as good.
So that’s just a brief overview of some of the gems waiting to be discovered in the latest Type Directors Annual (these ones I featured weren’t even selected as judges choices, so there is still a bounty of typographic excellence to be discovered. I will also urge you, if you have the means, to become a member of the Type Directors Club yourself if you are not already – personally I think it’s a small price to pay to be in the company of such extraordinary work – not to mention the designers and typographers behind it.
Pine no longer, deliverance is at hand – it’s your late-in-the-day-lazy-old-list of the past weeks most interesting design links. Conveniently posted here so you don’t have to search so much.
Doing the most work doesn’t necessarily translate into doing your best work, how to keep your creativity when the pressure’s on.
It’s easy to get into the doldrums at this time of the year after the spark of getting back into working starts to dwindle – so check on what these designers are most looking forward to in the coming months to perk up your enthusiasm.
Can’t find that elusive font that you’ve spotted out in the wilderness? Maybe those letters don’t come from a font at all.