Adelaide design firm Fusion have revamped and updated their website, including a new ‘blog’ section and some new case studies. They are always producing interesting work both in interactive media and print, so well worth a look into what they have been up to lately.
The city of Adelaide (much to many residents shame) isn’t really renowned for it it’s architectural excellence or forward looking development projects – ‘change’ and ‘progress’ seem to be dirty words to the powers that be around these parts – it’s surprising then that the following project has made it through to approval. The Rundle Lantern will be contructed from 748 square panels, each with a LED light system on it, on the corner of Rundle and Pultney streets, where on the moment stands the fascade of a particularly ugly parking station. The piece was conceived by local design firm Fusion as a cultural canvas to showcase colourful interactive and moving imagery at night and as a unique art form during the day. Fusion were the only non-architectural firm to pitch, their concept requires no major re-building, landscaping or form. Beautiful in it’s simplicity, Fusion states “our vision was to add beauty to people’s lives without affecting the environment, to work with current structures, and to put Adelaide on the global map. If the concept picture is anything to go by, mission accomplished. The Rundle Lantern should go into operation later this year. You can read more about it and Fusion’s other great projects here.
The Adelaide festival of Arts 2008 Poster has been up and around for a few weeks now, probably the biggest art orientated design item going in this city, I thought it was time to once again take a look at what they’ve come up with this time around. This is what the blurb on the Festival website has to say about it:
In 2008 we celebrate the artwork of a South Australian visual artist for the Festival’s ‘look’. Our motto, What are you seeing? begins with our cover design – the ambiguous, biomorphic sculpture by Michael Kutschbach (go, you little dynamo, go!). After a tradition of a two-dimensional image representing the Festival, we take you for the first time into the third dimension with a sculptural object to surprise, confound and delight.
“I like the idea of the sculpture being thought of as a peculiar kind of Alien. An Alien that is fresh and new to this city, yet at the same time entirely formed by it and its people.
The work is essentially intended as a very tactile object whose final form is the result of an attempt to embody, in abstract formal terms, the strength, dynamism, beauty, confidence and playfulness that will be the upcoming 2008 Adelaide Bank Festival of Arts.
It is a friendly and uncertain form designed to appeal directly to the viewer’s senses, to deliberately entice the viewer to come closer and to ask what it is and what it might be doing here. This positive uncertainty and desired curiosity runs through the Festival’s theme of What are you seeing?”
While I would argue that this is the first time that the image of the Festival has been represented by a three dimmensional sculptural object (both the posters for 2002 and 1978 both feature sculptural items as their focus) it’s never the less an interesting visual – kind of a cross between a triffid and a sunlamp from my perspective, I don’t know if my interpretation says nothing or everything about the event (encompassing the literate and the vain perhaps? 🙂
It’s obvious from the poster that like the 2006 piece, this comes across as very much a branding exercise, a centrepiece to offshoot all of the Festivals communication requirements rather than just a stand alone, though they have gone back to incorporating a piece of fine art as was the norm previous to the 2006 poster.
It’s a pity then that the Festival site doesn’t mention the contributions made in this regard by the design firm, Fusion, who are handling the branding of the 2008 event. The most impressive aspect of the poster to me is the typography (though I guess you would say I’d say that!) It’s beautifully organic and flowing, playing off those elements of the sculptural piece and implemented across the entire range of the Festivals promotional items. Fusion are an excellent choice to carry this out, their expertise in new media, online applications and video are second to none, and where this branding really comes to life is when you see the typography move and grow across the screen in television commercials and online. It’s been really well thought out to work across all mediums rather than pandering to the needs of one or the other – quite a task for such a large event that covers just about every promotional medium.
As a poster it does it’s job effectively, it’s nice to see all that white space for the beautiful type to stand out in, and the sculptural piece is a ‘have to take a second look’ sort of proposition’, As is typical with this kind of thing, the only off-putting element for me is the size of those logos at the bottom, something I’m sure is out of the designers hands and a neccessary evil, but for some reason looks all the more obtrusive this time around.